Restitution row: how Nigeria’s new home for the Benin bronzes ended up with clay replicas from the Guardian Philip Oltermann in Berlin and Eromo Egbejule in Abidjan

The public display of artefacts looted by British colonial forces at the new Museum of West African Art was supposed to be the crowning glory of a decades-long restitution effort. What went wrong?

In a corner of the new Museum of West African Art, visitors can marvel at a sample display of the cultural treasures that adorned the royal palace that once stood in its place: a proud cockerel, a plaque with three mighty warriors, a bust of a king with a glorious beaded collar.

The artefacts, collectively known as the Benin bronzes, were looted by British colonial forces who went on to burn down the palace in a punitive expedition in 1897. In the decades that followed they were scattered across collections in Europe and America.

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