After a break from music, the cult New York musician behind the smash ‘1950’ has returned with an album that is grittier and more personal than ever before. She speaks to Ellie Muir about the boom in queer pop, rejecting the ‘nepo baby’ allegations, and why she thinks it’s ‘deranged’ for billionaires to travel to places not meant for them
King Princess: ‘My music isn’t about trying on queerness – it’s about expert-level lesbianism’ … from the Independent Ellie Muir
