Two years after ‘Saltburn’ sent ‘Murder on the Dancefloor’ surging back up the charts, the singer-songwriter has returned to pure pop with a glistening new album. She speaks to Adam White about ‘Perimenopop’, transphobia and why she used to present herself as an ‘absolute cow’
Sophie Ellis-Bextor: ‘Success is harder for me to navigate than failure or disappointment’ … from the Independent Adam White
